Set in a modified thrust space with three projectors, and translucent drapery that could be raised or lowered, this exploration of the Strindberg classic employed staging and construction techniques drawn from Viewpoints and contact improvisation. Video segments for the piece were shot after a week of improvisation driven by myself, choreographer Anya Cloud, and the actors. These were then edited and became psychological reflections of inner character states that hovered in the space during moments of transition. That the environment seemed to be an abstracted version of a asylum created a framing that allowed for an exploration that fused modern movement with actor’s versions of the period represented in the play.