A traditional production of the Chekov classic except for the addition of three screens, two monitors and two live feed cameras. The premise of the work was to fracture the performances/characters into pieces and allow the audience to construct them from what was available. The disruption created by the juxtaposition of the image vs. physical presence was disconcerting for most audience members at first, but given time allowed them to enter the narrative space differently. The assembly of a character was often created by expanding or diminishing their scale on screen. The world of the characters also took on an isolating and isolated quality that worked well with the Chekhovian obsession with psychology and philosophy.